Hi.
Yeah, it’s me. I know, I suck and I’m sorry. But you knew I wasn’t the most reliable blogger and the frequency of my posts isn’t why you love me, anyway, so let’s not argue. Okay? We’re good then? Good.
To catch you up, the fam and I are comfortably settled in our new digs just northwest of Atlanta. We love it here – it’s got lots of cool stuff we didn’t have in Florida, like “hills” and “seasons” and “basements.” My sister and her family live just a couple streets over, which is fun and convenient, there are hundreds of kids in the neighborhood so ours are rarely bored and we’ve got some very cool neighbors who enjoy a glass or three of wine as much as I do. Soon as I figure out how to dress in layers so I don’t freeze my ass off (shut up – it is not too late), I’ll be a happy girl, indeed.
On the writing front, the movie-related lawsuit settled amicably and after too-long away, I’m back in the saddle. Just turned in a treatment to my producer and manager – planning the next rewrite of THE MIDDLE AGES. Looks like it’s gonna be a page-one, but that’s cool. It’s part of the process and I’ve got some new stuff in there I’m excited to write.
Got back from my sixth Austin Film Festival last week -- the second I’ve attended as a panelist. This year, I judged two pitch competition sessions and talked to high school filmmakers in a roundtable. Having pitched at the AFF competition myself, back in ’03 (my 60-second rendition of POOL BOY, the script that later became the movie AMERICAN SUMMER), I get a kick out of the full-circleness of my being a pitch judge. The pitches this year were surprisingly good – even the writers who stumbled over their words had unique, compelling stories. And I really enjoyed chatting with the high school kids at the roundtable sessions. They were sharp and expansive-minded, much smarter than I was at their age – in a whole ‘nother league, to be honest. Just hope they weren’t too disappointed when the rotation landed me at their tables, instead of Terry Rossio or John Turman or one of the other hot-shottier panelists.
As happens every year, I returned from Austin with lots of gut-deep emotional parting gifts. Still processing this year’s goodies, especially a few gems from Lawrence Kasdan and Shane Black. Both gave me hope and made me ache for completely different reasons, yet to the same end.
I almost didn’t make it to Austin this year, yet looking back, I think it was my most important AFF so far. I haven’t fully identified what I took from there but I’ve been wrapping myself up in it ‘cause it keeps the chill at bay and it sure can get drafty up here in the saddle...
To catch you up, the fam and I are comfortably settled in our new digs just northwest of Atlanta. We love it here – it’s got lots of cool stuff we didn’t have in Florida, like “hills” and “seasons” and “basements.” My sister and her family live just a couple streets over, which is fun and convenient, there are hundreds of kids in the neighborhood so ours are rarely bored and we’ve got some very cool neighbors who enjoy a glass or three of wine as much as I do. Soon as I figure out how to dress in layers so I don’t freeze my ass off (shut up – it is not too late), I’ll be a happy girl, indeed.
On the writing front, the movie-related lawsuit settled amicably and after too-long away, I’m back in the saddle. Just turned in a treatment to my producer and manager – planning the next rewrite of THE MIDDLE AGES. Looks like it’s gonna be a page-one, but that’s cool. It’s part of the process and I’ve got some new stuff in there I’m excited to write.
Got back from my sixth Austin Film Festival last week -- the second I’ve attended as a panelist. This year, I judged two pitch competition sessions and talked to high school filmmakers in a roundtable. Having pitched at the AFF competition myself, back in ’03 (my 60-second rendition of POOL BOY, the script that later became the movie AMERICAN SUMMER), I get a kick out of the full-circleness of my being a pitch judge. The pitches this year were surprisingly good – even the writers who stumbled over their words had unique, compelling stories. And I really enjoyed chatting with the high school kids at the roundtable sessions. They were sharp and expansive-minded, much smarter than I was at their age – in a whole ‘nother league, to be honest. Just hope they weren’t too disappointed when the rotation landed me at their tables, instead of Terry Rossio or John Turman or one of the other hot-shottier panelists.
As happens every year, I returned from Austin with lots of gut-deep emotional parting gifts. Still processing this year’s goodies, especially a few gems from Lawrence Kasdan and Shane Black. Both gave me hope and made me ache for completely different reasons, yet to the same end.
I almost didn’t make it to Austin this year, yet looking back, I think it was my most important AFF so far. I haven’t fully identified what I took from there but I’ve been wrapping myself up in it ‘cause it keeps the chill at bay and it sure can get drafty up here in the saddle...
posted by Julie O'Hora at 9:36 PM
5 Comments:
Hi.
I have the same weird feeling about this year's AFF. Somehow it was nothing really new, but at the same time amazingly important and transformative.
Maybe real understanding is something that reveals itself only on the second or sixth bite of the apple.
Write the hell out the TMA.
.
.
.
B
I was reassured just how much everybody is struggling, even the pros. Struggling to write, struggling to get films produced, struggling to get them distributed once they are produced.
As a writer you have to handle pain ... but misery does enjoy company, especially with a beer and some yummy barbecue.
: )
Terry
That's at least three of us, then: this one struck me as strangely more profound than previous iterations. And I'm fine with that, quite fine.
Glad you're getting settled into the new digs.
go, austin!
Hi Julie
Just to let you know that the London Screenwriters' Festival 2011 kicks off on October 28th for a three day festival like no other - http://www.londonscreenwritersfestival.com. It will be a fantastic opportunity for getting in touch with fellow writers and industry professionals.
Best wishes,
Monica
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